In the inaugural issue of PRODUCTION Future State bring together image, text, voice and gesture to investigate the cultural practices that appropriate ‘economised’ concepts and offer alternative interpretations to challenge dominate narratives.
At the beginning of Issue 1 a utopian cybernetics theorist and a faceless protester meet, both suggesting new paradigms in fragile moments of hope. Look closer and in the gestures of the ink we find both hopeful foreshadowing and a defiant rejection of neoliberalism and its mechanisms, bookending a moment in time. Later a city struggles to redefine itself by exploiting the redemptive hope of the arts, while a few pages later, art and city meet again; different time, different reality. Towards the end, as the pages thin out, we find depicted a media obsessed with an economic picture of their own creation, obscuring an economy of another kind, hidden and precarious.
In each of these connections, and in the individual contributions themselves, we are brought to the subject of economy on very different paths; from different places, times, media and disciplines. Yet what we present to you in these pages is not the paths themselves but a series of meeting places, collision zones and arenas of choice. Crossroads by any other name.
PRODUCTION is a collection of voices, not a collective voice. It is conceived as a confluence, bringing together practitioners and academics to stimulate connections and creative tensions. As such you will find none of the usual academic etiquette, demarcating where one voice ends and another begins. Instead we hope that the voices and ideas will bleed together, finding parallels and causing conflicts. There are no answers in these pages, nor where answers ever intended, but we hope that you will find questions, find yourself standing a crossroads and wondering where do we go from here.
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